Bartok: Cantana Profana, Barber: Prayers For Kierkegaard, Op. 30 & Vaughan Williams: Dona Nobis Pace

Robert Shaw & Atlanta Symphony Orchestra And Chorus

Bartok Cantana Profana Barber Prayers For Kierkega
  • CAT # 80479-25

    1. Barber: Prayers of Kierkegaard, Op. 30: O Thou Who art unchangeable 4:38
    2. Barber: Prayers of Kierkegaard, Op. 30: Lord Jesus Christ, Who suffered all life long 2:55
    3. Barber: Prayers of Kierkegaard, Op. 30: Father in Heaven, well we know that it is Thou 4:48
    4. Barber: Prayers of Kierkegaard, Op. 30: Father in Heaven! hold not our sins up against us 5:32
    5. Bartok: Cantata profana ("The Nine Enchanted Stags"), Sz. 94: Part I 7:32
    6. Bartok: Cantata profana ("The Nine Enchanted Stags"), Sz. 94: Part II 8:52
    7. Bartok: Cantata profana ("The Nine Enchanted Stags"), Sz. 94: Part III 3:23
    8. Vaughan Williams: Dona nobis pacem: I. Agnus Dei 2:57
    9. Vaughan Williams: Dona nobis pacem: II. Beat! Beat! Drums! 3:55
    10. Vaughan Williams: Dona nobis pacem: III. Reconciliation 6:29
    11. Vaughan Williams: Dona nobis pacem: IV. Dirge for Two Veterans 9:30
    12. Vaughan Williams: Dona nobis pacem: V. The Angel of Death 3:14
    13. Vaughan Williams: Dona nobis pacem: VI. O man greatly beloved 7:12
Winner for Three Grammy Awards for Best Classical Album, Best Choral Performance Other Than Opera and Best Engineered Recording, Classical
Barber's Prayers of Kierkegaard was commissioned by the Koussevitsky Foundation in 1942, but the composer did not complete the work until January, 1954. It is a setting, in the form of a single-movement cantata, of four prayers by the Danish theologian and philosopher Søren Kierkegaard (1813-1855).

Robert Shaw gave the American premiere of Bartók's Cantata Profana at Carnegie Hall in 1952. For this recording, he has used a refined version of the English translation of the text he made for that premiere performance.

Vaughan Williams's Dona Nobis Pacem was intended as a warning of the threat of war in Europe in the mid-1930s. The texts are taken from the poetry of Walt Whitman, the Bible, the Latin Mass, and from a speech made in the British House of Commons during the Crimean War in the 1850s by John Bright.

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