Full Circle: From Cape Breton to Boston and Back -- Classic House Sessions of Traditional Cape Breto
Bill Lamey
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CAT # 82161-7032-2
1. The Duchess of Athole's Favourite / Dusky Meadow / Miss Proud / Major David Manson 4:17 2. Killiecrankie 1:33 3. Mrs. Crawford's Favourite / O'er the Moor Among the Heather / Clach na Cudain / Miss Rattray / Uist 8:46 4. Sandie Ower the Sea / Don Side / Heather Hill / The Mourne Mountains / Sheehan's Reel 5:25 5. The Forth Bridge / Mrs. MacPherson of Inveran / Jock Wilson's Ball / Sleepy Maggie / The Forfar Hunt 3:27 6. Farewell to the Tay / Walking the Floor 2:35 7. Bachelor's Jig / The Cossy jigg / Oh Dear What Can the Matter Be? 3:30 8. Caledonia's Wail for Niel Gow Her Favourite Minstrel 2:00 9. Crossing the Minch 2:20 10. Introduction: Herbie MacLeod 11. Inverary Castle / The Corbey and the Pyett / Struan Robertson's Rant / Miss Flora MacDonald's / Mrs. 5:09 12. Dr. Alistair C. MacLaren / Kitchener's Army / Sandy Cameron, the Athlete / Devil in the Kitchen / Mi 6:08 13. Niel Gow's Lamentation for James Moray of Abercairney / Kilravock's / Munlochy Bridge / Don Side / T 5:42 14. Gloomy Winter's Now Awa' / The Wauking of the Fauld / Calum Breugach / Miss Lyall / King George IV / 6:38 15. Down the Burn, Davie Lad / Miss Gordon's -- Fochabers / The Fir Tree / Sir Archibald Dunbar / Kiss t 5:51 16. Rev. John Rankin of Glendale / Introduction: Rev. John Angus Rankin 2:55 17. Dusky Meadow / Sandy Cameron 2:46
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In 1953 Cape Breton fiddler William (Bill) Lamey emigrated from Sydney, Nova Scotia, to Boston, Massachusetts, where for the next 30 years he was the primary force in the promotion of Cape Breton music. During that time Bill also made some of the most exciting and intimate 'house session' recordings of Cape Breton fiddling, recordings that have become influential through the home tape network. Released commercially for the first time on this compilation are newly remastered recordings from the 'Golden Age' of Cape Breton fiddle music that bring to life those classic Boston house sessions. Produced by Mary Elizabeth Lamey and Paul M. MacDonald.
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