• CAT # OJCCD-914-25

    1. Tell Me What To Do 5:19
    2. Los Conquistadores Chocolates 6:08
    3. Lost On 23rd Street 5:55
    4. Fantasy 6:06
    5. Shifting Gears 5:16
    6. Can't We Smile? 4:35

Johnny Hammond could not help but change as jazz changed around him. The instrument that gave him his professional surname (he originally recorded as Johnny "Hammond" Smith) fell out of favor as more compact and portable keyboards gained favor over the Hammond B-3 organ; at the same time, brothers Larry and Fonce Mizell hit upon a new approach to pop jazz recording that introduced flexible soloists to a far broader audience. Hammond responded to these developments by making electric piano and synthesizer a prominent part of his presentation, and recruiting the Mizells to craft this brisk and eminently sampleable session. In addition to the new sounds the leader serves up, the contribution of such heavyweight soloists as Hadley Caliman, Julian Priester, and Michael White are highlights.

with Julian Priester, Hadley Caliman, Roger Glenn, Michael White, Jerry Peters, Fonce Mizell, Larry Mizell, John Rowen, Craig McMullen, Chuck Rainey, Harvey Mason, Kenneth Nash

Find out more about Johnny "Hammond" Smith


Stimulation and Opus de Funk, the two LPs paired herein, were recorded in 1961, when jazz organ groups had reached their initial… More
Johnny "Hammond" Smith was part of the golden age of jazz organ that flourished for about 15 years, beginning in the mid-1950s. His own… More
Johnny "Hammond" Smith (1933-1997) was one of the uncrowned kings of the organ from which he took his nickname, so as to distinguish him… More
Johnny “Hammond” Smith was one of the uncrowned kings of the B-3 organ. Like Jimmy Smith (no relation) and Brother Jack McDuff, Johnny… More
Song titles such as "Days of Wine and Roses," "Ode to Billie Joe," "Alfie," "Hi Heel Sneakers," and… More
He never attained the fame and fortune of that other organist named Smith (Jimmy, of course), but Johnny "Hammond" Smith (1933-1997)… More
B-3 organ master Johnny "Hammond" Smith was among the most prolific of all Prestige recording artists. The company issued 20 albums… More
A funny thing happened to jazz organ in the 1990s: it became popular again. Maybe not quite as popular as it was between 1956 and 1964, when Jimmy… More
Johnny “Hammond” Smith was the most subtle of the organists to emerge in the 1950s, as he displays on the two sessions combined on… More