Juju Street Songs

Gary Bartz NTU Troop

Juju Street Songs
  • CAT # PRCD-24181-25

    1. I Wanna Be Where You Are 10:07
    2. Black Maybe 9:39
    3. Bertha Baptist 6:39
    4. Africans Unite 6:33
    5. Teheran 8:23
    6. Sifa Zote 7:53
    7. Whasaname 7:27
    8. Betcha By Golly, Wow 4:51
    9. Dr. Follow's Dance 2:41
    10. Standin' On The Corner 2:59
    11. Sing Me A Song Today 7:05

Alto and soprano saxophonist/composer Gary Bartz is an honors graduate of two of the most distinguished and demanding academies in jazz: the Universities of Art Blakey and Miles Davis. He'd also studied at Juilliard in New York and the Peabody Conservatory in his hometown of Baltimore. When Bartz (b. 1940) struck out on his own and formed his own band, Ntu Troop, and sought to increase his music's street credibility by placing it in a funky rhythmic context, the jazz critics, predictably, set up a hue and cry. But Bartz simply called what he played "American music" and did well with it, especially at European jazz festivals.
A quarter of a century later, while Bartz is playing superbly in a straight-ahead, strongly blues-oriented, post-Coltrane style, there is renewed interest in his earlier work. When Bartz and his colleagues (including Andy Bey, Stafford James, and a propulsive young drummer named Howard King) are at full throttle, that interest is repaid.

I Wanna Be Where You Are, Black Maybe, Bertha Baptist, Africans Unite, Teheran, Sifa Zote, Whasaname, Betcha by Golly, Dr. Follow's Dance, Standin' on the Corner, Sing Me a Song Today

with Andy Bey, Stafford James, Howard King, Hubert Eaves, Hector Centeno

Find out more about Gary Bartz NTU Troop


Alto saxophonist Gary Bartz (b. 1940) had worked with the vital small groups of Max Roach and Art Blakey before making his first two solo albums… More


In late 1970 to early 1971, when the sessions that produced the companion LPs herein were recorded, the notion of "Black consciousness" had come… More
Gary Bartz's I've Known Rivers flows from the confluence of four major streams of late-20th century African-American music/culture: the… More