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Mooney built his reputation as a young wizard of the steel-bodied slide guitar and a protégé of Son House, but, as he says, 'It's all electric now. Some of the rhythms are similar, but more refined and punchier.' Additional punch is provided by drummer (and walking encyclopedia of New Orleans funk and parade rhythms) Ken Blevins, John Cleary on piano and organ, and bassist David Ranson -- a smoking rhythm section that gives Mooney just exactly what he needs.