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CAT # OJCCD-382-2
| 1. Blues For Yano San 5:55 |
| 2. Blues For Sitges 8:40 |
| 3. Blues For Val 5:54 |
| 4. Wait Till You See Her 4:58 |
| 5. She's Funny That Way 6:02 |
| 6. Blues For Martin 4:09 |
| 7. This Masquerade 5:44 |
It had been known among musicians since he was first heard in California in the early 1960s that Joe Pass was a remarkable guitarist. But not until his first solo album, Virtuoso, for Pablo in 1973, did Pass's career begin its dramatic climb. This concert from the Montreux Jazz Festival of 1977 finds him in the unaccompanied role that established him as a jazz star of the first magnitude. The program is dominated by blues, a discipline in which Pass has been known to modestly claim no special proficiency. His performance, however, makes it clear that he is a master not only of his instrument but of the simplicity and complexity of the blues.
Find out more about Joe Pass
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At 66, her charm and sense of swing were still very much present.
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24-BIT Remastering Brings New Clarity And Depth To This Classic Joe Pass Recording
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Recorded at RCA Recording Studios, New York City; June 5 or June 6, 1975.
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Recorded live at Yoshi's, Oakland, CA; January 30, 31, and February 1, 1992.
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Recorded September 13 and 14, 1990.
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with Jim Hughart, Frank Severino
Recorded December 1974.
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All of the best jazz musicians know that there are certain rare nights when the audience joins the band when it listens with intensity…
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Recorded August 7, 11, and 20, 1992.
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In one of the most satisfying concerts of his career as a solo guitarist, Joe Pass in 1984 mesmerized an audience at Long Beach City College in…
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Possessing awesome technique, formidable ensemble skills, and unparalleled abilities as a soloist-that freely wove walking bass lines, sleek…
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Recorded September 14 and October 26, 1976.
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Recorded August 7, 11, and 20, 1992.
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Recorded November 1973.
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