To a greater extent than on any of his four previous Prestige albums, Charles McPherson stepped out of the shadow cast by his major influence Charlie Parker on Horizons. This resulted from the uncommon ensemble sound of his sextet, where McPherson is the lone horn joined by vibes, guitar, and piano, and from the vivid melodic and structural character of his four original compositions. Instrumentation and material combined to underscore the lyricism and energy in McPherson's approach,… MORE
MORE RELEASES FROM CHARLES MCPHERSON
Through the 1960s and well into the following decade, Charles McPherson continued to work with Charles Mingus, in whose band he became respected… More
Charles McPherson is an early bloomer who has kept developing throughout his career. Con Alma! is a snapshot of his development as of… More
At a time when such avant-gardists as Ornette Coleman and Albert Ayler were all the rage in the jazz press, Charles McPherson (b. 1939) kept the… More
ABOUT CHARLES MCPHERSON
An alto saxophonist inspired by Charlie Parker but having his own tone, Charles McPherson (b. 1939) can always be relied upon to give 100 percent. McPherson grew up in Detroit, began playing alto when he was 13, and studied with pianist Barry Harris.
The altoist moved to New York in 1959 and a year later joined Charles Mingus, succeeding Eric Dolphy. McPherson worked with the bassist on and off during the following 14 years, adding his Charlie Parker sound to Mingus’s adventurous settings. He also played with Harris and his fellow Detroiter trumpeter Lonnie Hillyer in addition to heading his own quartets.
Between 1964 and 1969, McPherson recorded six albums for Prestige that constitute some of the finest work of his career. Bebop Revisited! is a quintet set with Barry Harris and trumpeter Carmell Jones on which the musicians mostly perform bop classics, including “Hot House,” “Nostalgia,” and “Wail.” Con Alma! has McPherson teaming with Harris and tenor saxophonist Clifford Jordan for jazz standards plus McPherson’s “I Don’t Know,” which is similar to “Parker’s Mood.” On Live at the Five Spot, McPherson and Hillyer interpret a program ranging from “Shaw ’Nuff” to “Never Let Me Go” and the funky “The Viper.” From This Moment On, with pianist Cedar Walton and guitarist Pat Martino, Horizons (a similar group with Nasir Rashid Hafiz added on vibes); and the quartet outing McPherson’s Mood wrap up the altoist’s Prestige period.
Charles McPherson, who moved to San Diego in 1978 and played on the soundtrack of both Sweet Love Bitter and Bird, has stuck to the same rewarding musical path up to the present time, finding his own voice in the Charlie Parker style.