Little Brother Montgomery

Chicago-The-Living-Legends

Chicago: The Living Legends

  • Release Date: 01 Mar 1993
  • OBCCD-525-2

Louisiana-born pianist-singer Eurreal “Little Brother” Montgomery was one of those rare musicians as adept at playing rhythm ‘n’ blues as he was at traditional jazz. For this 1961 session in Riverside’s Chicago: The Living Legends series, producer Chris Albertson recorded him both as a soloist and with a combo of Windy City traditional jazz veterans. The material includes numbers of his own composing, as well as classics from the pens of Duke Ellington, … MORE

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with Julian Euell, Lafayette Thomas Recorded July 1, 1960. More

ABOUT LITTLE BROTHER MONTGOMERY

 

A major blues musician who also sang well, Little Brother Montgomery (1906-1985) was a strong influence on many blues pianists including Otis Spann and Sunnyland Slim.

Born Eurreal Wilford Montgomery and born in Louisiana as one of ten children, he dropped out of school at the age of 11 to play piano in local juke joints. He worked extensively in Louisiana (including with early jazz bands led by Buddy Petit and Sam Morgan), Mississippi and Chicago as early as 1926. Montgomery made his recording debut during 1930-1931 when he recorded four titles including “Vicksburg Blues” and “No Special Rider.” He was also recorded quite extensively during two New Orleans sessions in 1935-1936. Settling in Chicago in 1942, Montgomery played blues in local clubs and occasionally appeared with New Orleans jazz bands including those of Kid Ory and Franz Jackson. He also toured with bluesman Otis Rush in 1956.

After recording only sparingly as a leader between 1937 and 1959, Little Brother Montgomery recorded the excellent Tasty Blues in 1960 for Bluesville in a trio with guitarist Lafayette Thomas and bassist Julian Euell. For that project, he remade “Vicksburg Blues” and “No Special Rider,” adding other blues-oriented material that showed off his piano playing and singing. His entry in the Chicago: The Living Legends series for Riverside features Montgomery both solo (including three instrumentals) and with a trad quartet.

These and other recordings added momentum to Montgomery’s career and he became a world traveler, visiting England and the European continent on several occasions during the 1960s while remaining based in Chicago. Little Brother Montgomery appeared at many blues and folk festivals during the following decade and was considered a living legend, a link to the early days of blues and New Orleans.