The Red Garland Quintet

Dig-It-PRS-31592-02

Dig It!

  • Release Date: 08 Sep 2009
  • PRS-31592-02
The quintet represented on this album is widely regarded as being one of the most exciting and effective of the Fifties, even though the majority of its work did not come to light until that decade was over. MORE

MORE RELEASES FROM THE RED GARLAND QUINTET

Soul Junction and its companion, All Mornin' Long (OJCCD-293-2), found Garland and John Coltrane attuned to one another and in superb form as a… More

The second volume in the Prestige Profiles series features Red Garland's quintets with John Coltrane. Essentially this series is compiled of album… More

Some groups have existed only in the recording studio but have produced music of lasting value. This quintet, under Red Garland's leadership… More

The relaxed, one-time-only attitude of this blowing session should in no way obscure the notable results. Five jazz giants heard at the peaks of… More

While his success in the trio setting dictated the format for a majority of his Prestige recordings, Red Garland was also a reigning band pianist… More

Red Garland came to Prestige, and the wider jazz audience, as a key member of the Miles Davis Quintet. While at Prestige, however, he also… More

When Red Garland and Paul Chambers teamed in the Red Garland Trio, their favorite drummer was Art Taylor, who joins them here for an exemplary… More

Some groups have existed only in the recording studio but have produced music of lasting value. This quintet, under Red Garland's leadership… More

ABOUT THE RED GARLAND QUINTET

 

Some groups have existed only in the recording studio but have produced music of lasting value. This quintet, under Red Garland's leadership, actually did play some gigs around New York in the fall of 1957, but even if it hadn't, the rapport in the studio would still have been powerful.

Beginning with the association of Garland and John Coltrane in the Miles Davis Quintet and continuing with Arthur Taylor's trio connection with Garland, and Donald Byrd's having worked with all of them in one form or another, there was enough of a common spirit in the musical attitudes of all the participants. With familiar jazz and pop standards and open-ended blues for material, the band celebrated the glories of strong swing and bottomless imagination as Byrd, Coltrane, and the ever-effervescent leader demonstrated the state of the improviser's art, with a perpetual groove and occasional solo assistance from Taylor and George Joyner (now known as Jamil Nasser).