The Rippingtons Featuring Russ Freeman
MORE RELEASES FROM THE RIPPINGTONS FEATURING RUSS FREEMAN
It’s hard to believe 20 years have transpired since Russ Freeman “Let It Ripp” with the formation of the groundbreaking group… More
The Rippingtons, featuring Russ Feeman, are insuring their bets with the release of one of their most innovative and creatively diverse projects… More
Let It Ripp and you will hear the unmistakable sound of The Rippingtons featuring Russ Freeman. A perennial best-seller, The Rippingtons… More
Here's the CD that legions of Rippingtons fans have been waiting for! Recorded at various venues, Live Across America, The Rippingtons -… More
ABOUT THE RIPPINGTONS FEATURING RUSS FREEMAN
Russ Freeman and The Rippingtons have not only set musical standards in smooth jazz, but their creative and commercial success perfectly parallels the growth of the genre over the past fifteen years. Freeman and his revolving cast of musicians have helped define and redefine the genre during that time.
A native of Nashville who came to Los Angeles at 18 to study music at Cal Arts and later UCLA, Freeman had just released his solo debut Nocturnal Playground (1985) when he envisioned Moonlighting as a one time project for all his L.A. studio pals to play on. Jazziz Magazine would later declare this 1986 masterpiece as the most influential contemporary jazz recording of all time. Twelve years later, their Peak/Windham Hill debut Black Diamond hit #1 on the Billboard contemporary jazz chart its first week, unseating none other than Kenny G--who, just pre-stardom, played sax on that first project. Freeman kept the core band of Steve Reid, Brandon Fields and Tony Morales together for 1988’s equally popular Kilimanjaro. Soon the band became a big live attraction which lived up to its whimsical namesake--as in "That band rips!" That live experience was chronicled on 1993’s Live in L.A., and a new live recording is expected in the spring of 2001.
The Rippingtons signed with GRP in 1989 and enjoyed an extraordinary and prolific run throughout most of the 90s with their albums Tourist in Paradise (1989), Welcome to the St. James Club (1990), Curves Ahead (1991), Weekend in Monaco (1992), Sahara (1994) and the fanciful ode to the emergence of cyberspace, Brave New World (1996). These latter two marked the first releases on Freeman’s own imprint label, Peak Records.
During his GRP days, Freeman recorded two very popular outside projects, 1993’s The Benoit/Freeman Project (which reunited him with original Ripps pianist David Benoit) and 1995’s popular seasonal offering, Holiday. He also produced albums for saxman Nelson Rangell, singer Carl Anderson and Japanese fusion band T Square. When Peak Records moved to Windham Hill Jazz in 1997, The Rippingtons had two of their biggest hits with Black Diamond and Topaz. During this time, Freeman also recorded the successful duet album From the Redwoods to the Rockies with guitarist Craig Chaquico. In 2000, Freeman and The Rippingtons released Life In The Tropics, the first Peak Records release under a new distribution deal with Concord Records.