Heads Up

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Heads Up

(Est. 1990) Since 1990, Heads Up International has been successfully carving its niche in the world of contemporary instrumental music. In addition to a Grammy Award and numerous Grammy nominations, the label has also garnered awards from various high-profile music publications and other industry organizations for its combination of brilliant artists, compelling repertoire and high quality production standards. More than just a contemporary jazz label with jazz, fusion and R&B instrumental sensibilities, Heads Up has amassed a catalog that boasts a diversity of styles representing nearly every corner of the globe: African, Latin, Caribbean, European and more. The label's highly acclaimed Heads Up Africa series is the home of Ladysmith Black Mambazo, Oliver Mtukudzi, Hugh Masekela, Zap Mama and others. Heads Up has been a leader in recording technology as well as A&R. The label was among the first to release enhanced CDs and recordings in the Super Audio CD 5.1 Surround Sound format (SACD). The label was nominated for the first-ever Surround Sound Award in 2005, and was nominated again in 2007.


HEADS UP FEATURED ARTISTS

Esperanza Spalding

Esperanza Spalding

If “esperanza” is the Spanish word for hope, then bassist, vocalist and composer Esperanza Spalding could not have been given a more fitting name at birth. Spalding won the GRAMMY® Award for Best New Artist in 2011. MORE

Jeff Lorber

Jeff Lorber

Over three decades after breaking ground as leader of the pioneering Jeff Lorber Fusion, the Philly-born and bred composer, producer and keyboard legend is still keeping the vibes fresh and the grooves funky. MORE

Peter White

Peter White

Over the years, Peter White has maintained a reputation as one of the most versatile and prolific acoustic guitarists on the contemporary jazz landscape. MORE

Peter Cincotti

Peter Cincotti

Born July 11, 1983 in New York City, Peter Cincotti started tinkling the keys of a toy piano when he was three years old. It was love at first C chord. "A year later I was taking lessons," Cincotti recalls. "My mother asked the teacher to let me play whatever I wanted."

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